1. What kind of photography did Diane Arbus do?
Diane Arbus mainly focused on marginal characters. She used
the camera to steal nd exploit other
people’s lives as the camera gave her the license to strip away the unnecessary details. Her subjects mainly
consisted of freaks and people
who were said to have ‘already passed the test in life’, people who were most
vulnerable. She also focused on upper classportraits, for instance
photographing the Matthaei family; they were people who wanted something
different, Diana felt she could after being raised in similar stuffy
circumstances. Concern and dismay were the main themes throughout her
photography as she was a vulnerable character herself.
I believe that it is all up to
interpretation whether photographers prey on the
vulnerable. Certain photographers may use subjects who are vulnerable as they
are reflecting on their on vulnerability or issues, and other photographers may have just a general
genre of photography not focusing
on whether the subject is vulnerable or not.
3. What is Larry Clark's "Tulsa" project about?
Larry Clark’s ‘Tulsa’ project can be seen as
nothing other than a personal tribute
to his life of sex drugs and rock and roll.
Clark was seen as an ‘insider
not an outsider.’ Published in 1971 Larry Clark’s ‘Tulsa’ was seen as a controversial impolite genre that the
audience was not expecting. His subjects mainly focused on usual suburbanites
who lived in Tulsa.


4. What is the Title of Nan Goldin's renowned work?
5. What are Araki's photographs about now? And what is his philosophy now?
Araki’s photographs mainly focused on the theme
of promiscuity. Throughout his life
Araki focused his photos on sex and how people interpret
everyday life. Araki believed that life was completely accounted for by photography, and that if he didn’t
shoot photographs he wouldn’t remember
the events.
6. What is Richard Billingham's work about?
Richard Billingham’s work mainly focused on
family orientated themes, whilst
living in a Thatcherite ruled government in working class Britain. Richard Billingham’s work revolved
around the fascination with his alcoholic
father and his estranged mother, and how the two lived out their lives separately. His work was seen
as an unofficial family album.




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